Aldo van eyck the playgrounds and the city pdf
Aldo van Eyck and the City as Playground – MOSkip to search form Skip to main content. Caljouw Published in Front. These public playgrounds were located in parks, squares, and derelict sites, and consisted of minimalistic aesthetic play equipment that was supposed to stimulate the creativity of children. Over the last decades, these playgrounds have been studied by sociologists, theorists of art and architecture, and psychologists. View PDF. Save to Library. Create Alert.
Designer Profile – Aldo van Eyck: A Playground for Every Neighborhood
These public playgrounds were located in parks, squares, and derelict sites, and consisted of minimalistic aesthetic play equipment that was supposed to stimulate the creativity of children. Over the last decades, these playgrounds have been studied by sociologists, theorists of art and architecture, and psychologists. However, it is argued that the standardization e. This standardization, which was arguably the result of the aesthetic motives of the designer, might be appealing to children when simply looking at the equipment, but it is not of overriding importance to them when playing in it. Indeed, a recent study indicates that the affordances provided by messy structures appear to have a greater appeal to playing children. The idea that art is an illusion divorced from real life must therefore be abandoned. We demand that it be replaced by the construction of our environment according to creative laws derived from well-defined principles.
We—Denisa Kollarova and Anna van Lingen—live in an era in which there are not many carefully constructed playgrounds. Have we—city decision makers, architects, designers, parents, friends —forgotten to be critical? There are so many architects, artists and thinkers of the past who have proven that a playground can be much more than just generic plastic structures placed randomly, constructed by simply flipping through the pages of play equipment catalogues. One of them is Aldo van Eyck, who designed a large number of public playgrounds for the city of Amsterdam. They played in the concrete sandpits, hung upside down on the tumbling bars or invented games in the igloo shaped climbing frames. Aldo van Eyck, Seventeen Playgrounds is a tour guide that brings you to several of these playgrounds in the centre of Amsterdam. Some of the playgrounds in this book are still intact, others share their space with new play equipment and some have completely been modernized, only referring to Van Eyck with a lost climbing frame or a few jumping stones and the fact that a playground remains on a spot that Van Eyck once turned into a play space.
In , the architect Aldo van Eyck built his first playground in Amsterdam, on the Bertelmanplein. Many hundreds more followed, in a spatial experiment that has positively marked the childhood of an entire generation. Though largely disappeared, defunct and forgotten today, these playgrounds represent one of the most emblematic of architectural interventions in a pivotal time: the shift from the top down organization of space by modernist functionalist architects, towards a bottom-up architecture that literally aimed to give space to the imagination.
human factors in engineering and design book